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Its opener and lead single, " Let It Happen," is an 8-minute synth odyssey with a melody made for festival hippie dance circles, swooping, looping electronic orchestration, and about half a minute’s worth of guitars - and it’s one of the most familiar songs on the record, if only for that brief passage. " Elephant" may have been so catchy it actually had you considering a BlackBerry purchase, but it wasn’t representative of a paradigm shift.Ĭurrents takes those ideas about Parker’s proper place with respect to genre and wastes no time blowing them to smithereens. Lonerism came out two years later, and while it was a significant leap in terms of skill level, it wasn’t a huge artistic change for Parker. He also sounded very much like John Lennon, and if you had a nickel for every time a writer has mentioned that fact, you could afford to buy the album. Parker was making psych rock - playful and curious and bright, sure, but nothing revelatory. When Innerspeaker was released in 2010, it had a clear place in a long-standing musical tradition. Parker’s talent and potential has been evident for a long time, but that doesn’t mean this leap forward was predictable. "Elephant" was so catchy it had you considering a BlackBerry purchase And it doesn’t really sound like anything else, to its credit: not pop, not rock, just one man’s singular sonic vision. It’s a meditation on growth and memory, one that floats in your headphones like a body in warm salt water. This is music that wants to be untethered from everything, whether that’s relationships with other people, stylistic context, or even any sense of momentum.
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(It's brought to life with the help of a touring band.) Spending time with Currents, his magnificent third album, is like hopping into an isolation chamber he designed. He embodies it, writing, recording, and producing all of the music himself. ("But I don’t even care about it anyway / I wouldn’t listen to a word any of them say.")Īs the sole creative force behind Tame Impala, Parker’s interest in solitude is deeper than lyrical fancy. One of the best songs on Innerspeaker, his 2010 breakout full-length, was called " Solitude Is Bliss" two years later, he asked " Why Won’t They Talk to Me?" only to conclude it wasn’t worth the trouble, and did so in the middle of an album called Lonerism.
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Kevin Parker has always been fascinated with the idea of being alone: how it changes your behavior, how it alters your experience, how other people can compromise the unique euphoria you can find through truly understanding yourself.